Working Title
Working Title is funded (among
other British film studios) by Universal Studios in America. This covers ownership;
anything that Working Title does is given the all clear by Universal Studios.
Working Title is run
by Tim Bevan – Google him to find out more
·
The screenplay of a film is the ‘Bible’ of movie making.
·
When developing the beginnings of a film, they
must firstly approach multiple writers with the potential project.
·
They must create a ‘package’. This consists of script,
budget and cast.
·
Along the way, the Marketing Department hint at
good and bad ideas regarding promotion, and audience.
Piracy…
·
One way of deterring piracy is promoting
the appeal of cinemas, giving people a reason to go out and view
films at a big theatre.
·
Piracy is a large problem for Working Title in
the DVD sales, therefore they believe that lowering the
cost to a fair price would be a successful solution,
making people to be more inclined to buy a DVD.
Challenges and Problems…
·
Fact based films are the most difficult to create, as you must
move through ‘a legal minefield’ in order to create a movie.
·
Translating a novel onto the big screen is normally a gamble, as it
is a challenge to create a strong and relevant narrative.
The
Production Executive of Working Title is Sarah Jane Wright.
Sarah Jane Wright.
·
One of the main tasks of the Producer is
to break down the script and to work out
an estimated cost for the potential movie.
·
Monitor filming and production on a daily basis.
Film
Budgeting…
·
A film costing under 20 million gives you
a 20% tax rebate in the UK, whereas the rebate in Hungry
is 25%.
·
Atonement cost around 17 million - cheap for a period drama.
·
When deciding on the setting, location shooting is
very much favoured, as construction is far more expensive.
Atonement was all shot on location and in 62 days, probably the main reasons
for it being so cheap to produce.
Problems
and solutions…
·
Studio space is very much a problem in the UK, there
are few big film studios in the UK, whereas there are considerably
more in the US.
·
Studios are no longer favoring the genre of drama,
so there is far less funding for these films. However upon
the vast success of The Kings Speech, film producers are hoping that drama will
become more popular again, and that there will be a boom in the
market for film drama.


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